Cast Albums Blog
REVIEW: Everybody's Talking About Jamie - Concept Album
If you were lucky enough, as I was, to see Sheffield Crucible’s world premiere production of Dan Gillespie Sells and Tom MacRae’s glorious new musical Everybody’s Talking About Jamie a couple of months ago, you’ve probably had ‘Don’t Even Know It’, the show’s infuriatingly catchy opening number, bouncing around in your head ever since. If you weren’t, just wait. If there’s any justice – in showbusiness there often isn’t, but never mind – this show will have a long, long life. You may not have heard it yet, but you will.
REVIEW: A Bronx Tale - Original Broadway Cast
A Bronx Tale, Robert De Niro's 1993 movie based on Chazz Palminteri's solo stage play, would not appear to be a property that is crying out to be adapted into a musical. The film is entertaining enough, but nothing about Palminteri's coming-of-age story about a young man named Calogero's brief flirtation with organized crime suggests characters who sing. And so it proves: the musical opened on Broadway last December to middling reviews following a production at the Paper Mill Playhouse; and while it's plodded along at the box office, it hasn't managed to generate an enormous amount of buzz.
REVIEW: ...and then I wrote THE MUSIC MAN
England's Stage Door records continues its delightful Collector's Series with the first CD release of "...and then I wrote THE MUSIC MAN," the 1959 Capitol album featuring composer Meredith Willson and his wife Rini singing the hit score while Mr. Willson provides piano accompaniment and running narration. If you ever wanted to be a fly in the wall at a golden age backers' audition, find yourself a small, crowded New York apartment and play this disc; you'll find it's a perfect simulation.
While this album will never be anyone's go-to version of The Music Man, both Willson sing considerably better than the average musical theater writer you're likely to hear in similar circumstances. Mrs. Willson's Russian accent adds no small amount of charm to a score meant to convey small-town, midwestern America, but it's nothing compared to what her clear, straightforward soprano brings to the table.
REVIEW: Falsettos - 2016 Broadway Cast
It seems hard to believe that the 1992 Tony Award-winning musical Falsettos by William Finn is only now getting a complete cast recording. Beloved by musical theater fans, this sung-through show full of Finn’s idiosyncratic melodies and gorgeous ballads follows the story of Marvin as he leaves his wife Trina and son Jason to be with his male lover Whizzer. Hysterically funny one minute and gut-wrenchingly devastating the next, Falsettos painted a picture of gay Jewish life and atypical family arrangements that continue to resonate today, if not more so, in the age of Modern Family.
REVIEW: Maddie - Original London Cast (Deluxe Edition)
Stage Door Records does terrific work unearthing lost curiosities. If not everything they release turns out to be a forgotten masterpiece, their catalogue of recordings includes some fascinating material. And so it proves here: based on Jack Finney’s 1973 novel ‘Marion’s Wall’, which also begat the Glenn Close movie ‘Maxie’, Maddie was a relatively swift flop at London’s Lyric Theatre in 1997. Save for one number – Knick Knacks, mercifully absent from this rerelease – the show was never exactly bad, but it was one of those productions (yes, I saw it) where the elements didn’t quite come together, and Summer Rognlie’s strident performance in the leading role didn’t help. The story – about a young woman in San Francisco who becomes possessed by the ghost of a long-dead aspiring actress, with predictably chaotic consequences for her career and marriage – needs a light touch, and didn’t get it, at least from the show’s star; because the central performance didn’t work, whatever charms the material itself might have had tended to remain hidden.