Cast Albums Blog
REVIEW: Groundhog Day - Original Broadway Cast
Good things come to those who wait. Having seen – and utterly fallen for – Groundhog Day last summer at the Old Vic in London, I’ve been (im)patiently anticipating the Original Broadway Cast recording ever since. Danny Rubin and Harold Ramis’s film about an obnoxious weatherman doomed to relive the Groundhog Day festivities in Punxsutawney, Pennsylvania over and over again until he rediscovers his humility and humanity would seem on the face of it to resist adaptation as a musical, but Rubin’s book for the musical isn’t simply a retread of his screenplay with spaces carved out for songs. In adapting his own work, Rubin has transformed what was essentially a star vehicle into a rather more complex examination of the various ways people find themselves living their lives in repetitive cycles. It’s a quirky, fiercely intelligent, very funny show, and Tim Minchin’s score is glorious; I walked out of the theatre humming There Will Be Sun and Seeing You, I’ve been humming them ever since, and I was eager to discover whether the songs I remembered so fondly stood up divorced from Matthew Warchus’s dazzling staging.
REVIEW: Everybody's Talking About Jamie - Concept Album
If you were lucky enough, as I was, to see Sheffield Crucible’s world premiere production of Dan Gillespie Sells and Tom MacRae’s glorious new musical Everybody’s Talking About Jamie a couple of months ago, you’ve probably had ‘Don’t Even Know It’, the show’s infuriatingly catchy opening number, bouncing around in your head ever since. If you weren’t, just wait. If there’s any justice – in showbusiness there often isn’t, but never mind – this show will have a long, long life. You may not have heard it yet, but you will.
REVIEW: A Bronx Tale - Original Broadway Cast
A Bronx Tale, Robert De Niro's 1993 movie based on Chazz Palminteri's solo stage play, would not appear to be a property that is crying out to be adapted into a musical. The film is entertaining enough, but nothing about Palminteri's coming-of-age story about a young man named Calogero's brief flirtation with organized crime suggests characters who sing. And so it proves: the musical opened on Broadway last December to middling reviews following a production at the Paper Mill Playhouse; and while it's plodded along at the box office, it hasn't managed to generate an enormous amount of buzz.
REVIEW: ...and then I wrote THE MUSIC MAN
England's Stage Door records continues its delightful Collector's Series with the first CD release of "...and then I wrote THE MUSIC MAN," the 1959 Capitol album featuring composer Meredith Willson and his wife Rini singing the hit score while Mr. Willson provides piano accompaniment and running narration. If you ever wanted to be a fly in the wall at a golden age backers' audition, find yourself a small, crowded New York apartment and play this disc; you'll find it's a perfect simulation.
While this album will never be anyone's go-to version of The Music Man, both Willson sing considerably better than the average musical theater writer you're likely to hear in similar circumstances. Mrs. Willson's Russian accent adds no small amount of charm to a score meant to convey small-town, midwestern America, but it's nothing compared to what her clear, straightforward soprano brings to the table.
REVIEW: Falsettos - 2016 Broadway Cast
It seems hard to believe that the 1992 Tony Award-winning musical Falsettos by William Finn is only now getting a complete cast recording. Beloved by musical theater fans, this sung-through show full of Finn’s idiosyncratic melodies and gorgeous ballads follows the story of Marvin as he leaves his wife Trina and son Jason to be with his male lover Whizzer. Hysterically funny one minute and gut-wrenchingly devastating the next, Falsettos painted a picture of gay Jewish life and atypical family arrangements that continue to resonate today, if not more so, in the age of Modern Family.