Cast Albums Blog

Month Archive:  April 2017

REVIEW: Groundhog Day - Original Broadway Cast


Recording Cover

Good things come to those who wait. Having seen – and utterly fallen for – Groundhog Day last summer at the Old Vic in London, I’ve been (im)patiently anticipating the Original Broadway Cast recording ever since. Danny Rubin and Harold Ramis’s film about an obnoxious weatherman doomed to relive the Groundhog Day festivities in Punxsutawney, Pennsylvania over and over again until he rediscovers his humility and humanity would seem on the face of it to resist adaptation as a musical, but Rubin’s book for the musical isn’t simply a retread of his screenplay with spaces carved out for songs. In adapting his own work, Rubin has transformed what was essentially a star vehicle into a rather more complex examination of the various ways people find themselves living their lives in repetitive cycles. It’s a quirky, fiercely intelligent, very funny show, and Tim Minchin’s score is glorious; I walked out of the theatre humming There Will Be Sun and Seeing You, I’ve been humming them ever since, and I was eager to discover whether the songs I remembered so fondly stood up divorced from Matthew Warchus’s dazzling staging.


REVIEW: Everybody's Talking About Jamie - Concept Album


Recording Cover

If you were lucky enough, as I was, to see Sheffield Crucible’s world premiere production of Dan Gillespie Sells and Tom MacRae’s glorious new musical Everybody’s Talking About Jamie a couple of months ago, you’ve probably had ‘Don’t Even Know It’, the show’s infuriatingly catchy opening number, bouncing around in your head ever since. If you weren’t, just wait. If there’s any justice – in showbusiness there often isn’t, but never mind – this show will have a long, long life. You may not have heard it yet, but you will.


REVIEW: A Bronx Tale - Original Broadway Cast


Recording Cover

A Bronx Tale, Robert De Niro's 1993 movie based on Chazz Palminteri's solo stage play, would not appear to be a property that is crying out to be adapted into a musical. The film is entertaining enough, but nothing about Palminteri's coming-of-age story about a young man named Calogero's brief flirtation with organized crime suggests characters who sing. And so it proves: the musical opened on Broadway last December to middling reviews following a production at the Paper Mill Playhouse; and while it's plodded along at the box office, it hasn't managed to generate an enormous amount of buzz.